Leads are great. They are the sugary surface of any good track. They get you in the door and perk you up.

1. Best Free Vst Plugins Ableton
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6. Best Vst Plugins For Ableton Live 10

For the Live 10 Echo preset pack, click HERE. Expect the unexpected from places you least expect it. Be sure to verify compatibility prior to download. And don't forget to check out all the FREE templates for Ableton Live offered right HERE, from W. Keyzone Classic. With a penchant for emulating eclectic sounds from Steinway grand piano.

But we all know what that one special ingredient is… The most important part of arranging and writing songs. It’s the soul of any good track:

The BASS.

• 8 of the Best Free Ableton Live Packs and Effects (2018 rundown) Having access to great sounds makes the whole music making the process so much faster. That is why I am always on a hunt for good Live Packs. I’ve collected my top favorite free Live Packs and Instrument Racks. Download each of these for free.
• I have been using the demo for Ableton for 180 days now and it has just expired:( I am looking to buy Ableton and wanted to know what the most cost-effective way to get it would be. I was thinking of just buying some hardware online and getting Lite with it free, is that my best.

But there’s thousands of free VSTs out there. Which ones are good for bass? No sweat. We found all the best ones so you don’t have to dig.

Here’s our 10 favourite free bass VST plugins that will give you bigger, better bass.

Steinberg – Model E

The Model E is a useful 3 oscillator bass station capable of pumping out some nice lines.

The super simple controls make all your options easy to see and tweak. Plus the lower CPU usage means easy breezy basslines in no time.

TAL – Elek7ro

When it comes to free VSTs no one beats TAL. All their free plugins work great and are super useful. I’m a huge fan of their plugins and you should be too.

The Elek7ro is no exception to their history of producing high quality tools. This synth-plug is good for pretty much everything. Including making some nice full basses for your tracks.

It even comes with a super helpful user guide for getting the most out of Elek7ro.

Plogue – Sforzando TableWarp2

The TableWarp2 is part of Plogue’s Sforzando bundle. It’s a versatile synth that gives you tons of classic sounds…

Including some superb mid-low range basses perfect for beefing up your tracks.

NUsofting – Sinnah

The Sinnah is great. It can create cool noisy tones with its 3 channel delay matrix and feedback sculpting.

It also has a pretty solid onboard EQ which really helps bring out the magic in each tone. So you can get tons of control over the bass sounds you create.

TAL – Bassline

I’ve already talked about the TAL-Bassline in an older Free Plugins article. But I had to put it on this list because it’s so good. The Bassline is basically built for better bass.

This plug has a warm analog sound and ‘robust core‘ for all your bass and acid needs. Plus, the TAL Bassline user guide will have your walls rattling in no time.

u-he – TyrellN6

U-he is another major source for some very superb free plugins. The TyrellN6 is a powerful overall plugin that will give you all varieties of nice analog synth sounds.

That means wicked basses too. It also has some nice triggering features that are super fun to play around with and a nice, clean interface for easy tweakage.

The download page is in german. So if you don’t speak German just scroll down to find the download link!

Ample Sound – Ample Bass P Lite II

The Ample Bass P Lite II is a nice electric bass plug perfect for some groovier and more rock-centric bass sounds.

Ample Bass also comes with some nice ‘articulations’ including palm mute, slap and legato slide for those little accents that makes bass pop.

LinPlug – FreeAlpha

This plugin is the free version of LinPlug’s Alpha. But just because it’s the free version doesn’t mean it’s not good. In fact, it’s great!

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FreeAlpha‘s 2 oscillators are perfect for all sorts of nice basses and the built-in presets are superb starting points for all types of bass and more.

Bruce Sutherland – JUCEoplvsti

If you ever dreamed of making all those incredible sounds that lived on old DOS games then this plugin is your hot ticket.

JuceOPLVSTI is modelled on the Yamaha OPL sound chip found in some old PC computers.

Juce’s interface is a lot like a video game and is super easy to use to get some superb basses, leads and pretty much any other sound you need from an FM synth.

Synister – Synister

Synister is one of the best looking and easiest to use synth plugins I’ve ever seen. This 3 oscillator synth is perfect for making all types of basslines.

Miolot free vst. The interface is simple, organized and easy to follow. The effects, envelopes, oscillators, LFOs and filters all have their own drop down menus for an easy workflow. And it even has a built in step sequencer!

The bassline bottomline

A good bassline can make or break a track. Finding the best one for your track can be tricky.

These bass VSTs will give you everything you need to find the right one (Hot tip: Turn your monitors way up while you’re experimenting if you wanna meet the neighbours).

Put these in your DAW, start experimenting and take a trip to the international bass station.

If you’re already set for bass check out our other Free VST Plugin Favourites:

Ableton Racks are awesome! They allow you to group effects or instruments, map multiple parameters to a single macro and create parallel chains. I’m using these features to “pimp” Ableton’s stock effects every day so if you’re looking for some free Ableton racks you definitely came to the right place!

Click on the button below to start your free download and make sure to read the entire post for further details. You may also like this list of free Ableton templates.

Mastering Rack

When your mixdown is perfect you usually don’t need much processing on the master. However, there are some effects that can help to “glue” all individual tracks together and give you track that final touch. My general recommendation: less is more! If you’re making big changes on your master channel you should probably go back to the mixing stage!

This is what the macros from my Ableton mastering rack do:

• Bass Mono sets a crossover frequency. Everything below will be mono (50 – 200 Hz).
• Glue decreases the threshold of Ableton’s Glue Compressor (0 – -30 dB).
• Shine is a high-shelf filter you can use to boost the side signal (0 – 6 dB).
• Freq controls the high-shelf filter’s frequency (4 – 22 kHz).
• Clean Up reduces low midrange frequencies (0 – -5dB).
• Focus adjusts the exact frequency for “Clean Up” (200 – 500 Hz).
• Gain increases the input gain of Ableton’s limiter (-24 – 24 dB).
• Release adjusts the release time of Ableton’s Limiter (0.01ms – 3s).

I’d highly recommend to pick another limiter like the one from Ozone 9 if you really want to achieve a professional master. However, if you just want to render a quick demo or a rough mix Ableton’s Limiter will probably be good enough.

Vocal Rack

Mixing vocals is extremely complex and a single free Ableton Rack will never be able to make any vocal sound perfect. However, if you’re new to mixing or just want to enhance a rough demo this Ableton Live rack might be something for you.

• High Pass controls the frequency of a high-pass filter (80 – 250 Hz).
• Air boosts the top end with a high-shelf filter (0 – 15 dB).
• Clean Up cuts muddy frequencies in the low mids (0 – -8dB).
• Focus controls the exact frequency of the “Clean Up” cut (200 – 800 Hz).
• De-Ess decreases the threshold of the de-esser (0 – -40dB).
• Reverb is a simple dry/wet control to add space (0 – 50%).
• Delay is also a dry/wet knob for the delay (0 – 40%).

Basic Chord Rack

The chord rack is meant for producers who are new to music theory. Placing it on a MIDI track it will automatically create a fitting triad, based on the key you’ve selected. Additionally you can enable the octave function via macro 3. Since the rack doesn’t cover inversion I’d recommend resampling the MIDI. Afterwards you can try to transpose single notes of each chord an octave up or down.

• Base shifts the origin of the scale (default is C)
• Minor/Major switches the minor scale to a major scale.
• Octave adds an octave of the fundamental tone.

1 Knob Wash Out

My 1 Knob Wash Out is actually inspired by the famous Bass Kleph Easy Washout. It one has one macro (Wash Out!), which is meant to be automated. You can slap it on your master, groups or individual tracks to create huge build ups and transitions.

“Wash Out!” controls a total of 6 parameters:

• High-pass frequency (26 – 932 Hz)
• High-pass resonance (0 – 30%)
• Echo dry/wet (0 – 40%)
• Reverb dry/wet (0 – 60 %)
• Stereo Width (100 – 80%)
• Gain (0 – 5db)

Easi 808

My “Easi 808” is the only instrument rack in this list and just like every 808 bass it’s based on a simple sine wave. You can adjust things like attack, glide time, distortion and cutoff. There’s even a mono compatible chorus effect built in.

• Attack increases the pitch envelope and decreases the attack time (0 – 80%).
• Attack Time adjusts the pitch envelope’s duration (20 – 140 ms).
• Glide Time sets the time a slide from one note to another takes (0.10 – 200 ms).
• Soft Clipper increases the Soft Clipper’s input gain (70 – 100).
• Gain adjusts the amount of distortion (0 – 20 %).
• Mix adjusts the balance between the clean and distorted signal (0 – 100 %).
• Spread detunes frequencies above 150 Hz (0 – 100%).
• Cutoff sets the low-pass filter’s cutoff (10 Hz – 22 kHz).

LoFi Rack

My LoFi rack emulates a bunch of characteristics and effects that are typical for vintage studio gear. You can use it to detune your source sound, decrease the frequency range, add distortion and vinyl crackles. If you produce LoFi and don’t want to spend 80 bucks on the RC-20 Retro Color you should definitely try out this one!

• Hi Pass adjusts the frequency of the high-pass filter (100 Hz – 1kHz).
• Low Pass controls the low-pass filter’s cutoff (500 Hz – 22kHz).
• Cabinet adjusts the balance between the Cabinet’s dry/wet (0 – 100%).
• Crack increases the volume of vinyl crackles (0 – 1).
• Detune increases the amount of detuning (0 – 17.2 Hz).
• Gain sets the input and output gain for Ableton’s Pedal (-35 – 35dB).
• Drive adjusts the dry/wet of Ableton’s Pedal (0 – 100%).
• Output controls the overall output volume of this rack (-10 – 10dB).

Reverb Rack

What bothers me the most about Ableton’s Reverb is that changing settings, such as room size or decay will also change the Reverb’s volume. That’s why I added 2 utilities to this rack which automatically counter those changes. Furthermore, you’ll get two independent controls for dry and wet instead of only one knob. To top things off you’ll get 2 filters, so you have control over Reverb’s frequency range.

• Dry controls the volume of the dry signal (-inf – 6dB).
• Wet adjusts the volume of the wet signal (-inf – 6dB).
• Size controls the room size (0.22 – 500).
• Time sets the decay time (200ms – 6s).
• Pre sets the pre-delay time (0.5ms – 100ms).
• Width controls how stereo the reverb is (0 – 120).
• High Pass adjusts the frequency of the high-pass filter (150 Hz – 1kHz).
• Low Pass controls the frequency of the low-pass filter (300 Hz – 10kHz).

Recommended: Free persian voice vst. Speaking of reverb you might like this smart:reverb review.

Sauce Rack

My “Sauce Rack” is something I like to add to most of my Trap and Hip Hop melodies. It comes with 4 different effects, adding stereo modulation, reverb, pitch modulation and delay. For each of those effects you get 2 macros so you can adjust them to your liking.

• Spread controls the dry/wet parameter of Ableton’s Chorus (0 – 99%).
• Amount sets the modulation amount in milliseconds (0 – 2.17ms)
• Reverb controls the Reverb’s dry/wet (0 – 100%).
• Decay adjusts Reverb’s decay time (200ms – 5s).
• Detune adjusts the amount of frequency shift modulation (0 – 15.1Hz).
• Speed sets the speed of frequency shift modulation (0.01 – 3.73 Hz)
• Delay controls Echo’s dry/wet (0 – 50%).
• Feed controls Echo’s feedback (0 – 50%).

Soft Clipper

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Ableton’s Glue Compressor, comes with a cool soft clipping feature, which works wonders on Trap and Hip Hop kicks. Problem? The output volume drastically changes when you increase the gain. With this Ableton effect rack you can drive the input gain and afterwards adjust the output so true bypassing is possible. You can also filter the wet signal or mix in the dry sound.

• Gain increases or decreases the input and output gain (-35 – 35 dB).
• Dry increases the volume of the dry signal (-inf – 6dB).
• High Pass sets the frequency of the high-pass filter (10 Hz – 10kHz).
• Low Pass sets the low-pass filter’s cutoff (200 Hz – 22kHz).
• Output adjusts the output gain (-10 – 10dB).

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Easi Sidechain

My “Easi Sidechain” rack comes with 2 controls, empowering you to sidechain any track within seconds. Just keep in mind that this rack is only suitable for 4-to-the-floor house and techno beats, since it’s LFO based. If you own a copy of LFO Tool you probably won’t need this one.

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• Amount adjusts the amount of volume modulation applied to the incoming signal (0 – 100%).
• Shape changes the modulation curve (0 – 100%).

Gain Rack

My “Gain Rack” doesn’t have any effects loaded yet, but it allows you to simultaneously crank up the input and reduce the output gain. Obviously this only makes sense if you place another effect between the two utilities.

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• Input boosts the input gain and attenuates the output gain (-35 – 35dB).
• Output boosts or attenuates the output gain (-inf – 35dB).

Conclusion

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So as you can see, Ableton Racks are really useful and you can use them to build some amazing multi effects. If you haven’t download those racks yet make sure to get your copy now. It’s free 😉